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Scales Layout settings are now also stored within a Live Set. When using Simpler in Slicing mode, holding ‘Delete’ and pressing a Slice will remove all its steps in the currently selected Clip, if any exist. In addition to that, holding ‘Quantize’ and pressing a Slice will quantize all the events for that Slice. When cycling through Layouts with Push 2, a notification is now declaring the current mode of operation of the pads.
Count-in would be ignored when a recording was triggered via Push, in cases where a Clip was already active. Under certain circumstances, the Push 2 display could go blank when selecting a track containing Simpler, if a really long sample was loaded into that device.
Disabling ‘Warp’ would cause the zoom in Simpler to jump to an unusual zoom level on the Push 2 display. The master meter on Push 2 would not turn entirely red, as it does in Live, when the signal was clipping. Display brightness settings would not be restored correctly on Push 2 after power cycling the device.
When a Group Track is selected, using ‘Add Track’ to add an instrument would lead to unexpected results. If ‘Accent’ was enabled, changing any of the Note Settings in the step sequencer would cause the velocity for this step to jump to When dragging a sample from an audio track into Simpler from Live, Push 2 would erroneously still display the audio Clip view, even if the track containing Simpler was selected.
After a Drum Rack pad containing Simpler is selected, Device Mode would still display its controls upon selecting a different track.
Improved the reliability and priority of the audio thread when using ASIO drivers. This contributes a noticeable performance improvement and fixes a few cases where Live would drop out when using certain audio interfaces.
Improved the performance of Ableton Devices on Windows. Bugfixes: Live could crash when exporting audio or freezing, if Simpler contained a very long audio file. Live would crash when performing ‘Undo’ after dragging a sample onto Simpler’s breakout view.
Occasionally, the grid lines for certain devices e. Certain Audio Unit parameters would show the wrong value in the Device View after instantiation. Under certain circumstances, the Launchpad Pro might not initialize correctly. Fixed a bug which prevented Max for Live devices from grabbing the Launchpad Pro matrix in the available User modes. Fixed a bug which prevented Max for Live devices from grabbing the Launchpad matrix in the available User modes. On Push 2, playing clips now pulse in their assigned clip color, instead of green.
Recording clips pulse between clip color and red. Device selection is now remembered on a per-pad basis on Push 2. Improved the waveform zooming behavior on Push 2 for both Simpler and audio Clip mode. If fades are enabled in Simpler, these will be displayed also on Push 2.
The zoom level is now represented graphically, whereas before a numeric value was used. Waveform updates are faster when switching between different Simpler instances. When duplicating an Audio Clip or a Drum Rack pad based on Simpler, the waveform visualization of the copied item would not be preserved. Improved performance when scrolling vertically in Session View with Push 2. In a context of hotswapping presets, the “Load” feature in the Push 2 browser is set by default on “Load Next”.
In the former case, all drum pads will start pulsing white as long as the browser is open, whereas for hot-swapping a single pad, that pad is pulsing. Added a “Load previous” in the Push 2 browser. It is now possible to load a device faster from Push 2, without needing to enter its folder.
Previously, ‘Press Browse to load a sample’ would be erroneously displayed also when focused on Return or Master tracks. It is now possible to use “Warp as x bars” also while the sample is not warped yet.
In Simpler, Waveform Slice points and Start, End flags displayed the wrong color when switching between tracks of different color. Scale Layouts are now available for Push 2 as well. The Push 2 Firmware is upgraded to version 1. This is a maintenance update. Under certain circumstances the channel meters would not be displayed when switching between Track Mix Mode and Global Mix Mode on Push Previously, it was not possible to delete Return tracks from Push 1 and 2.
Push 1 would become unresponsive after performing ‘Slice to Drum Rack’. Device selection would not be remembered by Push 2 for Effect Racks. When switching to Clip mode with Push, Live would keep displaying device mode.
When selecting devices with Push in a long chain, Device View in Live would not auto-scroll anymore. When adding plug-in parameters to the parameter list in Device View via ‘Configure’, the device bank in Push Device mode would only update after switching back from a different mode or track.
The Push Display could go blank when loading certain plugin presets or when switching through device banks with Push 2. The Push 2 display would crash when browsing plug-ins, if the plug-in folder contained a number of devices which exposed the exact same name to Live.
Adjusted the timing a notification is displayed on Push 2, which now is in relation to the length of the text. Link and The Bridge prevent each other from starting once switched on. Moreover, Link and The Bridge both switch off External sync when activated. The Python framework has been updated to support Python 2.
When tweaking Warp mode specific parameters in Simpler i. Previously, these would be only updated on a per-note basis. Improved the time required to slice an audio sample to a Drum Rack. Slicing visualization improvements and other minor cosmetic tweaks for Simpler and Sampler.
Add a preference to re-enable random clip colors. Updated fonts and added a number of special characters. The Live 8 Legacy Mode in Operator has been renamed to something more meaningful. Performance improvements in waveform rendering.
Bugfixes: Recovering Live sets after a crash would not succeed under certain circumstances. Live could hang at launch while displaying the splash screen on Windows Live would crash on OSX Tracks created by dragging and dropping a Rack or Rack preset will now correctly be assigned with a new track color.
Live might become unresponsive on OSX if no Max application could be found. Furthermore, Live would not find Max 7 on its own on Windows. Live could hang when loading sets referencing Max devices, if these were saved with Max 6. Audio files would not retain the color saved in the respective. Replaced one redundant color in the Live color sequence. Simpler would cause an unusual high memory usage if the user had set ‘Complex’ as the default mode for Warping.
Live would crash when cropping samples in Sampler. A crash could take place when playing back sliced samples in Simpler, if ‘Snap’ had previously been activated in Classic or One-Shot mode. A crash could occur when dragging the Start Marker to the very end of a file in Simpler and playing back a warped, looped sample with ‘Snap’ active. Live could crash when playing back warped samples in Simpler. The crash would occur when a new note began playing at the exact same time that another playing note was ending, if that also choked or retriggered the previous note.
When slicing an audio Clip to a Sampler based slicing preset, all slices would be assigned to the same root note. Simpler’s playhead could jump unexpectedly when starting the transport while playing back warped samples. Dragging a selection of an arrangement clip into Simpler now sets the start and end flags according to the selection. Snap is automatically disabled when slicing a Simpler to a Drum Rack.
This ensures that the sound of playback does not change after slicing a Simpler to a Drum Rack. Changing Simpler’s playback mode via the keyboard would not be undoable. When dragging the Simpler start flag towards the end of the sample, this would overlap with the End flag, which then could not be clicked nor dragged anymore.
The same behavior occurred the other way around the End flag might have covered the Start flag. The text in the Simpler ‘Warp As’ button would not be displayed properly when running Live in a language other than English.
Reduced audible artifacts and improved timing for samples warped with Complex and Complex Pro. The OSR filter might produce unwanted artefacts when used with high frequency and resonance settings.
The modulation destinations for the new legacy filters in Simpler and Operator are now hidden and updated correctly when upgrading a device. The spread pitch control is now disabled if Simpler is using Re-Pitch as warping mode. This enables muting tracks, bypassing devices, soloing tracks and stopping Clips with one single button press.
Improved encoder responsiveness when selecting a parameter through a list on Push 2. Improved the Push initialization process when the unit is power cycled while Live is open.
Push 2 Firmware updated to v1. This fixes a problem where the hardware would sometimes fail to initialize on Windows. This Firmware update is also intended to mitigate unexpected high velocity values which might be triggered when Push pads are played softly.
This is an intermediate step towards a proper fix. Please note that, depending on your pad sensitivity settings, it might now be more difficult to reach maximum velocity. It is now possible to load and hotswap samples in audio tracks on Push 2.
This is achieved by first entering Clip mode. Sample names are now displayed in the browser while hotswapping. Scales mode can now act as a momentary toggle if held.
When an empty drum pad is selected, ‘Add Device’ will work like the ‘Browse’ button, thus it will not prompt the user to swap the entire Drum Rack anymore but rather will enable to load a device or sample inside the pad.
After converting an audio Clip to a Simpler from Push 2, device mode will be selected automatically. When adding a new device to a previously selected pad, the added device will now always be selected. Live would crash when converting a Clip to Simpler, if the device default for Dropping Samples on Device View consisted of a Simpler instance inside an Instrument Rack.
When loading a sample from the browser, Simpler’s “Mode” would be displayed as “Classic” on Push 2, regardless of the default for “Dropping Samples on Device View”.
When converting between Simpler and Sampler, Push 2 would lose device selection. Under certain conditions, the waveform in Simpler flickered on display when zooming in on longer samples. When zoomed out on a long sample, it is now possible to see an indication of the existing slices on the Push 2 display. Under certain circumstances the Push pads would not reflect the selected slice when using a sliced Simpler. Mute and Solo would not work on Push 2 if the currently selected track was outside the Session Ring.
When moving a channel towards the left while in ‘Mix’ mode, its channel meter would stop working on Push2. When renaming a macro inside a Rack, the changes would not be immediately reflected on Push 1 and Push 2’s display.
Push would keep showing the loop selector in sequencer mode after deleting a Clip. The display could get stuck in User mode on Push 2. Additionally, it is now possible to momentarily enter User mode by holding the respective button. The color mapping for Push 2’s step sequencers has been improved, to better reflect different velocity ranges. The Arrow Keys would stop working after switching between note and session mode while using the Push 2 browser.
Selecting a scene in Live would cause Clip selection from Push not to work anymore. No auto preview was available for the currently selected item when navigating to a list using an encoder.
Under certain circumstances pressing ‘Add Track’ and loading a new device would swap the instrument residing in the currently selected track instead. After using ‘Collect All and Save’, Simpler instances would fail to display a waveform due to the changed file path. Improved waveform rendering when switching through tracks and selecting Drum Pads. Previously, Push 2 would only show the left channel for stereo waveforms. As of now, both channels are displayed in overlay.
On Push 1, plugin parameter names would not update correctly anymore if these change dynamically e. In addition, Push 2 now also updates such plugin parameter names dynamically. Push 1 can now utilize custom device banks for Simpler. Dynamic parameter banks are in place for Push 1 as well. Parameters that don’t have an effect due to some other parameter being disabled will now be hidden. The encoder resolution for Push 1 was significantly different as of Live 9.
This has now been rectified. Fractions were not shown correctly for Simpler on the Push1 display. Quantized parameters were not displayed correctly on Push1’s bar graph. Improved meters: the track volume meters now show both peak and RMS levels. Simpler has been completely overhauled with a new interface, Warping, slicing, and new analog modelled filters build in conjunction with Cytomic.
Audio Effect Racks now load with devices hidden. Sets created with 9. When trying to Save a set created with a previous version in 9. A breakout view is added for Simpler. The breakout view can only be displayed when Simpler has a valid sample The Warped waveform is displayed accordingly in Simpler. Added a button in the Simpler breakout which warps the region between the sample’s start and end markers as a certain number of bars.
Added One Shot mode in Simpler. Slicing mode has been added to Simpler. When active, all transients between start and end flags will be used for generating the slices It is now possible to normalize a sample via a context menu option by right clicking on Simpler’s waveform. Added the possibility to slicing to a Drum Rack from Simpler.
A sample volume control Gain is now added to Simpler. When loading a Simpler, Auto Filter or Operator preset created with a previous Live version, the devices will work in legacy mode, in order to preserve the original sound.
The filters will be automatically upgraded if these were not active in the preset. Creating a multi selection for a number of chains in a Drum Rack enables setting the choke group for all chains at once.
When instantiating a plug-in, up to 64 parameters get configured automatically now. This is done via a new context menu entry available in Live’s plug-in device. Improved performance when drawing waveforms for large sets with many clips. Introduced a limitation to how many time a sample can be sped up or slowed down via “:2” or “x2” respectively, in order to save CPU power. Improved the automation smoothing for the new filters in Simpler, Operator and Auto Filter. Removed the limitation to the amount of transposition affecting samples when using Complex or Complex Pro.
Bugfixes: It is not possible to inadvertently save a Live Set to the Trash anymore. The ‘Warp as x bars’ feature is improved so to provide more musical and predictable values. Light blue color tones have changed to avoid being confused with the selection color when using the default Live skin. Specific plug-ins would have triggered Live to configure non-functional parameters after a preset change.
Changes for Push: Introduced support for Push 2. It is now possible to preview sounds from the browser with Push 1 as well. It is now possible to load Samples from Push. These will be instantiated in Simpler. It is now possible to duplicate Drum Rack pads from Push 1 as well. Scales settings are now stored in Live sets.
When recording with Fixed Length: Off, pressing fixed length will now stop recording and loop the last bars of the recording according to the fixed length setting. Fixed a bug which would cause the Clip selector in the step sequencer to be displayed after deleting a Clip. MIDI Note Off messages could be skipped as a consequence of an audio drop out, resulting in hanging notes.
CPU spikes leading to drop outs could occur when firing Clips, stopping Clips, Clip editing during playback, Clip scrubbing and when pressing the Back to Arrangement button. This bug fix also improves scaled drawing performance on Windows bit. Changes for Push: The step sequencer ‘Note Settings’ view could not be exited anymore if accessed while in Hotswap mode. Replaced the icon for Current Project in the browser sidebar. Live would crash when dragging a Clip in the Groove Pool. Audio Units would stop passing audio after changing the sample rate.
Added control surface support for the Akai Professional Advance keyboard series. Bugfixes: Fixed a crash which might take place in Live 9. Auto-scrolling in session view could get stuck after releasing the mouse, when dragging a device across the splitter between browser and session view.
Fix a rare crash which could occur when closing plugin windows on Mac. Improved tempo detection for warped audio files where the tempo appears to be constant. Improved warp downbeat detection. The first warp marker 1.
Improved the sound of Complex and Complex Pro Warp modes. Added the option “Warp Selection as x-Bar Loop” in the context menu when right clicking on a time selection inside an audio clip.
Live Sets that contain Max for Live devices or third-party plug-ins now have lower latency. The latency introduced by a device is now displayed in the status bar, when hovering over the title bar with the mouse. No latencies are shown when latency compensation is turned off. Automation and Modulation are now fully latency compensated.
Modifying the Arrangement loop brace with mouse or keys will not affect the current track selection, while previously all tracks were selected as soon as the braces where adjusted with the mouse. The Serato bridge is now compatible with Live 9. Updated and Kits with better sounding Kicks and Snares. The Session Ring would not be entirely displayed on screen anymore when navigating through tracks if the Live Set contained folded Group tracks.
Fixed a bug in the Axiom Air 25, 49 and 61 Control Surface remote script, where the Send mix mode controlled the available Sends for the currently selected channel, instead of controlling Send A for the first 8 channels. Fixed a bug which caused artefacts in the waveform visualisation when increasing the Gain on low amplitude audio clips. The Live browser “All Results” label would not remember the settings for the optional second column.
Fixed a rare crash which might happen on OS X with certain input sources. Fixed a crash which might occur when deleting several Max for Live devices from a Live Set at once. Live would crash when quitting the application while renaming a Groove in the Groove Pool. A Live Set might become corrupt when saved after a crash recovery, if the original Live Set had meanwhile been modified by a different Live instance.
Notes at the beginning of Clips would not be triggered when rendering or freezing tracks containing Max for Live devices or third party plugins.
Remote mappings via a Max for Live device would not work for toggle parameters anymore. Minor adjustments to the translations of Clip context menus. Overdrive would report a wrong latency value, thus would not correctly be compensated. Redux would report a wrong latency value when in Soft mode, thus would not correctly be compensated. Minor GUI bugfixes for high resolution displays.
Fixed a bug which could cause graphics glitches and crashes on OSX when using high resolution displays. Fixed a bug where the mouse cursor would stay in stopwatch or beachball mode until the user physically moved the mouse. This would happen after loading devices, live sets, or anything else which would necessitate the use of the stopwatch cursor. Updated the pixel font used primarily in device LCDs like Operator for retina displays.
Also improved the aspect of envelope curves drawn in the device’s LCD displays. Fixed a glitch where the modulated value would become visible as an orange dot while dragging a slider, even if no modulation exists. Holding “Delete” and tapping an encoder on Push resets the respective parameter to the default setting. Holding “Shift” while turning an encoder on Push changes the respective parameter with finer resolution. Improved buttons readability on Push. The Repeat and Metronome buttons now blink if active.
This caused the very first note in the Clip not to be played back at all. Live will not auto-update to versions above 9. Fixed a bug which caused modulations for arrangement clips to disappear when undoing and redoing after duplicating a track.
Fixed a graphics problem which could occur on OS X The Simpler instrument could lose certain macro mappings after converting a Sampler to Simpler and then enabling Simpler’s Pitch Envelope. Fixed the spacing of the “Hz” icon on Simpler’s LFO Rate switch on Retina displays Under certain conditions, the Tension instrument could produce unwanted noise bursts after loading a preset and then playing the first note. Live could crash when undoing and redoing after importing a clip or a track containing automation from the browser.
Live would also keep crashing when recovering the Live Set from the undo file. Note that this requires a Mac with OS X Added native full screen support for Mac OS X.
Note that this requires Users with older OS X versions and Windows users are not affected by this change. Updated info texts and manuals. Some chooser controls would clip the right side of an active entry when closed, e. This is now fixed. Fixed a crash that could occur under certain conditions when loading Live sets containing a large amount of VST plug-ins and Max for Live devices.
Fixed a crash that could occur when hovering over an automation breakpoint or segment on the first automation lane of an Arrangement track and then forcing another automation to be shown on the same lane, e.
Max for Live MIDI effect devices would not be correctly latency-compensated when the device was turned off and the device had an additional latency defined in its patcher inspector. Improved the threshold for inverting text colour of clip names, chains, macros, etc. Bugfixes: The [live. The Launchpad’s Mixer mode would stop working after using the Launchpad’s Session Zoom feature in Live sets containing more that 8 tracks.
Changes for Push: When using a low audio buffer size or high sample rate, Push’s buttons would not be backlit after launching Live Windows only. When entering Scales mode on Push, the Selection and State Control buttons would not light up until one of them is pressed once. Push’s Duplicate button would not work anymore for clips, tracks and scenes if Clip workflow is selected.
Auxiliary audio outputs of certain VST plug-ins would not be delay-compensated anymore. Observing or controlling the APC40 button matrix with a Max for Live device would not work after disabling the control surface. Fixed an issue which caused the Filter Type and its automation if existing to be set to an incorrect type after converting Simpler to Sampler or vice-versa.
Bugfixes: Fixed an issue which caused CPU spikes when moving a MIDI note in a track containing certain Ableton devices with automated parameters while the transport is not playing. Fixed a bug that caused the active Control Scripts to be loaded again when activating an additional Control Surface. Enabling multiple tracks for recording and then triggering the Session Record button from the APC40 MKII would only record into the currently selected track instead of all armed tracks.
Fixed an issue on the Mackie Control Pro where the display would not show the parameter’s values correctly, after previously enabling the level meters. Fixed a graphical glitch which could occur when changing an Arrangement track’s vertical zoom level via the Mackie Control or a Max for Live device. Under certain conditions, this could also lead to a crash. Importing a Session View clip containing automation for a Max for Live device into another Live Set would create automation breakpoints in the Arrangement View.
When loop is activated in the Arrangement View, MIDI sustain messages and other CC messages would not be recorded reliably after the first loop iteration. When configuring plug-in parameters, some sliders in Live’s plug-in panel would not match the position of the respective parameter in the plug-in GUI.
Text in deactivated clips was not readable with certain skins. Fixed a crash which might occur when renaming a Drum Rack pad while triggering another pad. Live could crash under certain conditions when running as a ReWire slave and creating a new Live Set without saving the previous Set.
Under certain circumstances, Live would delete send automation or modulation envelopes from clips when exporting clips or tracks to the browser. Additionally, Live could crash when using the undo feature after such an export operation. Updated control surface documentation. Improved readability of text in clips, tracks, chains and macro controls.
The text color is now automatically inverted, depending on the background color. Bugfixes: Live would show cryptic error messages in case it detects and repairs a corrupt database. Now it shows something more meaningful. Looped clip envelopes could have an incorrect length after unlinking the envelope, linking it again and then moving the clip from Session View to the Arrangement View. When overdubbing a MIDI clip in the Arrangement View, the resulting clip would not be cropped to the correct content, but would contain all other notes of the track.
A playing clip in the last scene would stop playing when deleting a scene above it. Fixed a bug that could occur when recording automation over a loop jump in a Session View clip when the Arrangement View’s loop is active.
Plug-in parameters of certain VST plug-ins would not instantly update on the custom plug-in window after changing presets. Fixed a crash that could occur on Mac OS X when quitting the application while Live is buffering samples. Fixed a crash which could occur in the bit version of Live when loading presets containing a very large amount of devices.
Fixed a crash that could occur under certain conditions when moving scenes and then using Undo. Live 9 Intro or Lite would crash when importing an audio clip which uses the Complex or Complex Pro warp mode Windows only. Changes for Push: It wasn’t possible to edit device parameters if a track’s input routing was set to “No Input”.
Audio clip recording could be interrupted when choosing another track with Push, even if Exclusive Arm is deactivated in Live’s preferences. When selecting a track, the Melodic Step Sequencer would sometimes not select a page in the currently playing clip.
Live would always record the last received CC value into a MIDI clip, even if it was received before the actual recording was started. Note that this change might affect compatibility with 3rd party control surface scripts, i.
Please contact the manufacturer of the script in case you encounter any problems. Live would cut off all currently playing notes on a MIDI clip when engaging overdub recording in the Arrangement View. When recording clips on multiple tracks in Session View by triggering a whole scene, clip recording would sometimes be aborted too early in some slots.
Live would freeze when setting the loop length of an unlinked clip envelope to the minimum value. Fixed a crash that could occur when creating audio feedback routings with drum rack sends, for example when routing a return chain to itself. Live could crash under certain conditions when flattening clips containing automation envelopes. Live could crash after using ‘Capture and Insert Scene’ on the last available Session scene and then undoing that action. Max for Live devices could be out of sync when exporting audio with multiprocessor support enabled.
Push’s display now indicates if a selected track is frozen and cannot be modified. The center row of letter keys on the keyboard will play notes corresponding to the white keys on a piano, beginning on the left with the note C3. The black keys on a piano correspond to the upper row of computer keys. This means that you can play and record drum patterns right off the computer keyboard.
To prevent this, you can turn the computer MIDI keyboard off when it is not needed. In this case, you can send MIDI out to the external synthesizer and return its audio — all within a single track.
Every synthesizer has this function, which effectively separates the keyboard from the sound generator, allowing you to treat both components as if they were separate devices. These indicators tell you not only about the presence of signals, but also about their use. This is a common cause of confusion that can be easily resolved by looking at the indicators. Resampling can be a fun and useful tool, as it lets you create samples from what is currently happening in a Live Set that can then be immediately integrated.
It can be used to record tracks that include processor-intensive devices, so as to delete the devices, or for quickly previewing before rendering to disk see 5. You can then decide on what exactly you will be resampling and mute, solo or otherwise adjust the tracks that are feeding the Master output. You will probably want to use the Master Volume meter to make sure that your level is as high as possible without clipping indicated by red in the meter.
Then you can arm the track and record into any of its empty clip slots see Until the Set is saved, they remain at the location specified by the Temporary Folder see These routings, albeit potentially confusing, enable many valuable creative and technical options.
Via the mixer, inter-track routing can work two ways:. In this scenario, soloing Track B will still allow you to hear the output of the tracks that are feeding it. Also, you can still solo Track A and hear its output signal. In this case, all other tracks are muted, including those that might also feed into Track B. Approach 2, on the other hand, leaves Track A unaffected except for Track B tapping its output. If a track contains one or more Drum Racks see Each Rack will also be listed in the Input Channel chooser:.
Soloing a track that taps a Chain at any of these points will still allow you to hear the output at that point. It is certainly powerful to have a separate effects chain per track for applying different effects to different takes — after the fact.
You might, however, want to run the guitar signal through effects a noise gate or an amp model, for instance before the recording stage, and record the post-effects signal.
This is easily accomplished by devoting a special audio track for processing and monitoring the incoming guitar signal. We do not record directly into the Guitar track; instead we create a couple more tracks to use for recording. Those tracks are all set up to receive their input Post FX from the Guitar track. Note that we could also tap the Guitar track Post Mixer if we wished to record any level or panning from it.
This output lends itself more to representation as an audio waveform than a single note in a MIDI clip, particularly when comparing the editing options. A setup similar to the one described above see We have one MIDI track hosting the virtual instrument, and we use additional audio tracks to record the audio result of playing the instrument. Suppose we have the individual drums of a drum kit coming in on separate tracks for multitrack recording.
In the mix, we can easily change the volumes of the individual drums, but adjusting the volume of the entire drum kit against the rest of the music is less convenient. Therefore, we add a new audio track to submix the drums. The individual drum tracks are all set to output to the submix track, which outputs to the Master.
The submix track gives us a handy volume control for the entire drum kit. Alternatively, you could combine the separate drum tracks into a Group Track see This automatically creates the necessary output routings and also allows you to hide or show the component tracks.
The corresponding return track will then act as a submixer channel. We have already recorded MIDI clips into this track when we realize that we would like to add an independent, parallel take for the same instrument. So we add another MIDI track. With this setup, we can choose to record new takes on either track and they will all play the same pad sound. We might be bothered by the fact that muting the pad track by turning off its Activator switch also mutes the other MIDI track.
To be precise, the other track keeps playing, but its MIDI is played by an instrument that is out of the mix. This can be easily remedied by cutting the clips from the pad track and pasting them into a third track that can be independently muted and that can hold its own MIDI effects.
The original pad track now acts as a mere instrument container. Any audio effects following Impulse in the same track process the composite signal. Sometimes it is desirable to take an individual drum sound out of the mix for individual effects processing and mixing. This is possible because Impulse offers its sample slots as audio sources to other tracks.
Ableton live 9 suite patch io free.Top 7 Acoustic Guitar Plugins 2022 (And 4 Best Kontakt Libraries)
Please enable JavaScript in your browser in order to make this website functional. Includes more than factory and artist presets. Waves Central: The new version v Updated: SuperRack SoundGrid v Waves SoundGrid applications, firmware and drivers: Across-the-board software update.
All Waves plugins: Across-the-board software update to V All Waves plugins: Across-the-board software update to version Firmware update for DirectOut SG. MADI Converter 9. All Waves plugins: Across-the-board software update to version 9. Fixed issues:. Waves V9r22 Mac offline installer – October 23rd, Waves » Downloads » Release Notes. Waves Local Server v July 19, Waves Central: The new version v Various other fixes and improvements.
V14 coming soon. Improved: Faster load times — All V14 plugins are now optimized to load faster when loading a session, individual plugins, or presets.
New: Quick drag-and-drop presets — Preset files can now be dragged-and-dropped into any V14 plugin for a faster workflow. Improved: Live text and text boxes look sharper, with improved readability on low-DPI screens.
Fixed: Bug causing sample rate changes in Ableton V11 to disable plugin automation. Fixed: Bug causing the Save option not to be triggered in Cubase, Logic, and Studio One when non-automatable controls are changed.
Fixed: Inconsistent Waveshell scan in Pyramix. Fixed: Bug causing settings not to be recalled on all controls after sessions in Pyramix are recalled. Fixed: Bug causing controls to lose their relative position when they are multi-selected and controlled in precision mode. Fixed: Compressors reporting incorrect gain reduction to Studio One meters. Fixed in plugins with MIDI mapping: Bug causing files to be overwritten without warning when saving to a new file. Fixed: Bug preventing preset modification and saving via the Preset Browser Fixed in Waves standalone applications: Bug causing tempo to always load at bpm without preserving changes.
Possible crashes no longer occur when sessions are recalled in WaveLab Possible crashes after articulations are tweaked and plugin instance is removed. Fixed in Berzerk : The plugin no longer makes loud pop sounds when the ‘Character’ settings are changed in Digital Performer. Fixed in CLA : Bug causing meter state not to be preserved when sessions are recalled. FX Mute automation values are now in the right order were previously reversed.
CLA Epic no longer makes clicking sounds when the plugin is engaged in Logic. Bug causing the Gate to not open or close when only the Right channel is present. Bug preventing the arrow keys from controlling parameters when the mouse cursor moves outside the module.
Removing the plugin no longer closes the Waves Head Tracker, if other plugins are using it. Fixed: In Launch Mode, the play head no longer disappears before the sample ends.
Fixed: Bug causing several notes instead of just one to be played when playing between zones in Mono mode. Only one note is now being played. Various fixes in controls and automation names. More UI fixes, adjustments, and minor bug fixes. Fixed: Browsing samples no longer produces clicks in the Standalone application. Fixed: Window no longer opens partially outside the screen under certain conditions. Fixed: The Vertical axis is no longer flipped on the Saturation map.
Fixed: Various user guide updates and additions. Various UI improvements and more minor bug fixes. Fixed in Electric Grand 80 : The Limiter is now working properly. Audition ability added for NKS. Solo is now preserved when sessions are reloaded. Clicking on the band selector below the graph now changes only the band view previously, clicking the band selector also turned the band on and off.
Mac only: Text field in Banding selection now shows properly previously appeared correupted. Fixed in IR-series plugins : Load features in the preset menu have been re-enabled. Fixed in L1 : Input meter no longer reflect Output state in Cubase. Fixed in Lofi Space : Mix knob can no longer be modified when Lock is active. Bug causing Time value to change after deactivation and reactivation in Pro Tools. This fix may slightly affect the sound of sessions created with previous versions.
Fixed: Load features in the preset menu have been re-enabled. Fixed: Bug causing triggered notes not to be displayed on the keyboard when the note source is Voice. Fixed: Sync values in odd time signatures have been corrected. Fixed in Retro Fi : Mix knob can no longer be modified when Lock is active. Bug causing the arrow keys to stop controlling parameters when the mouse cursor moves outside a module.
Fixed in Vocal Bender : Sync values in odd time signatures have been corrected. Bug causing Pro Tools to freeze when moving knobs in Audiosuite Preview. Fixed: Bug causing Q-Clone to continue processing when bypassed, after saved sessions are loaded.
August 1, Waves Local Server v July 10, New micro firmware v1. June 12, Waves Local Server v Also available as a combo with the Nx Head Tracker. Fixed: Noise burst when switching clock sources.
Fixed: Compatibility with Hear Technologies firmware version 4. April 27, Waves Central: The new version v Improved installation reliability in certain scenarios. Updated: eMotion LV1 v New: Cue Mix to Matrix routing option. New: Diagnostics tool shortcut from the Setup window. Improved performance with large systems. Improved routing view error display. Fixed: Session backward compatibility issues. Fixed: Toggle application windows in top-bar tabs causing hangs.
Fixed: External insert bypass not recalled in scenes. Fixed: Momentary level jump when changing Dugan groups via snapshots. Fixed in 4K Screens: The Hot Plugins panel appeared blank when a rack tab was detached in scaled mode. This no longer occurs. Fixed in macOS: Occasional crashes when moving detached plugins to a different rack.
Fixed: Self-toggling when switching rapidly between tabs by user-assigned keys. Fixed: Multiple stability and performance fixes under the hood. Updated: SuperRack Native v Updated: SoundGrid QRec v Available as a single plugin or as a combo with the Nx Head Tracker.
Fixed: Modulating the resonance of the peak filter no longer results in wrong behavior. Fixed: Adding filter Drive in Mono mode no longer produces clicks. Fixed: Some factory presets no longer produce clicks on certain notes. Improved: Response of some controls to mouse-wheel. Other general bug fixes and improvements. Includes over free samples. Enhanced optimization for Apple M1 processors. Fixed: Most Waves plugins could not load on non-English Windows systems with a non-English user name.
Fixed: Waves instruments could not load on non-English Windows systems with a non-English user name.