Adobe illustrator cc remove drop shadow free

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Adobe illustrator cc remove drop shadow free

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You asked, how do you remove an effect in Illustrator? I’ll show you how to fix it up, but this is basically what we do. Related Articles. There’s a couple of things I need to do. Previous Next. A bright natural light will help. So if you want there to be less edge there’s just no way around other than drawing it to get an edge.
 
 

[How do you make a drop shadow vector in Illustrator? – replace.me

 

You’ll configure the map with properties that will make it easier to manage in Adobe Illustrator later. The style of the map should match the rest of the company’s website, which uses a green and gold color palette and minimalist design.

The Esri basemaps won’t match this design, so you’ll create your own. A map of Europe appears. It includes a layer showing all of your company’s current offices. You’ll leave the World Hillshade layer in place since it provides some visual texture that you think will look good on the final map. Next, you’ll add a few layers to replace the basemap. Expand Databases and Offices. The layer appears on the map.

You’ll change its name and its color. Two symbol layers are shown: a solid stroke and a solid fill. The map now shows all of the countries with thin gray borders. Next, you’ll add a background layer to change the color of the ocean.

Drag the GlobalBackground layer onto the map. The map now has white land and gray oceans, with a slightly darker gray for coastlines and borders. You’ll reorder the hillshade layer so it is no longer hidden beneath the countries layer.

The hillshade hides all of the layers beneath it. You’ll change its blend mode so the texture is visible without hiding the underlying layers.

Now all layers are visible. Instead of hiding the layers beneath it, the World Hillshade layer is blended into them. Currently, the map’s coordinate system is set to WGS This is a common coordinate system for storing data, but it’s not appropriate for displaying data on a map.

A projected coordinate system should be used instead. You’ll choose a projected coordinate system that is well suited to mapping the whole of Europe. This coordinate system is conformal, so the shapes of the countries will appear true. It’s also designed for mapping Europe, so distortions of area and distance will be minimized on that continent.

You can learn more about choosing coordinate systems in the lesson Choose the right projection. The map redraws with the new projection. The rest of the world is distorted to preserve the appearance of Europe. Currently, all of the countries look the same. You’ll highlight those countries where your company is operating. You’ll use the Select By Location tool to select any country that contains an office within its borders, and turn that selection into a new layer.

A new layer appears in the Contents pane and on the map. You’ll change the outline color of the selected countries to match the official gold color from company branding. You’ll save this color to your favorites style so it’s easy to reuse later.

On the map, some of the countries now have gold outlines instead of gray. The Offices layer is already labeled. Next, you’ll create country labels and configure some labeling properties so there are fewer edits needed later. Country labels appear on the map. You’ll adjust their style to match your company’s official font and colors. If you don’t have Candara installed, you can choose any other font. The labels on the map update with your style changes. You’ll also adjust the spacing of the labels.

On the map, the country labels spread out across the wider countries. They remain at their default spacing when there’s not enough room to spread. Maps often use widely spaced labels for large areas to indicate that the name belongs to the entire region.

You’ve now made a map with all of the elements that you need. You removed the basemap and built your own. You changed the projection of the map, created a layer to show all of the countries containing offices, and added labels.

You applied colors and fonts to match your company’s brand specifications. Before you export your map to Adobe Illustrator , you’ll create a layout.

Exporting a layout instead of a map has several advantages: you can add surround information such as a legend, and you are better able to control the position and scale of the map. You’ll add a layout to your ArcGIS Pro project, then add the map to the layout and set its scale and extent. You’ll resize and reposition the map so it fills the available space. To pan and zoom on the layout instead of the map, press and hold the 1 key.

If you accidentally zoom on the map, retype 23,, in the scale box. Now you’ll be able to return to exactly the same map extent if you need to make changes to your map later. Next, you’ll add a legend to the layout to explain the meaning of the map’s symbols.

The legend has four items, but two of them are related to the basemap, and don’t need to be explained. You’ll remove them from the legend. You’ll rename the layers to change the text that appears in the legend. You’ll also adjust the appearance of the legend to make its spacing more compact. The Element pane appears, displaying properties for the Legend element. The legend updates to show a white square instead of a rectangle. Finally, you’ll convert the legend to graphics.

This will make the legend easier to work with once you are in Illustrator. You’ll replace this static text with dynamic text so you can more easily format it to match the appearance of the rest of your map.

For now, it doesn’t matter where you add the credit text; you’ll reposition it later in Illustrator. You created a layout for your map, where you set the scale and extent, added a legend, and formatted the map’s attribution text. But because this map will need to be maintained by the graphic design team, you’ll convert it into an Adobe Illustrator file and finish the design there. That way, the graphic designers you work with will have a document that they can more easily update and adjust.

New or updated data can still be added to the map as well with the ArcGIS Maps for Adobe Creative Cloud plug-in so the design team can make geographic changes, as well as graphic ones. Accept the default settings on the remainder of the pane. These settings will ensure that vector text and graphics are not converted to raster images, and that the file size is kept relatively low. One of the windows may be hidden behind the other.

Next, you’ll learn how to navigate on the map in Adobe Illustrator. You can switch between tools with keyboard shortcuts. Before you edit your map, you’ll familiarize yourself with the layer structure in Illustrator. You’ll remove a few layers that aren’t needed in your map, then save the file as an Adobe Illustrator AI file. All of the graphics from your map and layout are listed here. The layer structure matches the one you created in ArcGIS Pro , although it may not look familiar at first.

Layers work a little differently in the two programs, which is why you see more layers in Illustrator than you did in ArcGIS Pro. You now know which map features are stored in each layer. It’s important to gain this familiarity before editing your map. A list appears, showing one row for each of the green labels on the map. These are not layers, but text objects contained within the Corporate location — Class 1 layer.

These objects trim any extra map data so it does not extend beyond the artboard’s edges. In this case there is only a tiny amount of extending data, so you don’t need to keep any of the clipping paths.

Next, you’ll explore how the Map Frame layer is organized. The Map Frame layer contains the Offices Map layer, which contains all of the geographic features.

This nested hierarchy of layers may seem unnecessary, but it’s important that you keep the map inside of the Map Frame layer. The Map Frame layer provides the reference geometry that will allow you to add more geographic data later and keep it all aligned. Inside the Offices Map layer, there is a sublayer for each of the layers from your original map: Corporate location , World Hillshade , Operating country , Countries , and GlobalBackground.

Each of these layers has its own sublayer with the same name. If you had symbolized a layer with multiple symbol classes, the layer would have a sublayer for each class. The sublayers contain an object row for every map feature. Vector data from your map is stored as paths and compound paths, while raster data is stored as images. Next, you’ll save the map as an Illustrator file.

You formatted your map as a layout, added a legend, and exported the layout to an AIX file. Then you examined the layer structures of the AIX file in Adobe Illustrator and removed some layers that weren’t needed.

Your map is now stored as an Illustrator document, which can be opened and edited by anyone with Adobe Illustrator. This format means that both GIS and design professionals can help to design and maintain the map. Next, you’ll make some graphic changes to your map. You’ll change one of the symbols and adjust all of the text to improve the map’s clarity. You’ll also apply a clipping mask and a drop shadow so the map matches your brand’s aesthetic.

The gold countries are not clear enough on the map. You’ll give them a transparent gold fill to make them more obvious. All of the objects in the Operating country layer are now selected.

The selected countries on the map turn gold. You’ll change the color’s transparency in the Appearance panel. If the Appearance panel is not visible, open the Window menu and check Appearance. The Appearance panel does not provide any information about the gold fill or outline, because it is only showing the appearance properties of the Operating country layer, rather than the paths inside of the layer.

You need to adjust the appearance of the layer’s contents. If you don’t see a Contents button, open the Layers panel and make sure that the Target button is selected for the Operating country layer. More symbol properties appear in the Appearance panel. Both the stroke and the fill have their own Opacity setting, in addition to third Opacity setting that affects the entire symbol. The operating countries now have an opaque gold outline and a transparent gold fill.

Next, you’ll update the legend to match your changed symbol. You’ll use the eyedropper tool to borrow symbol properties from a country shape and apply them to the legend shape. First, you’ll turn off the World Hillshade layer so it doesn’t interfere with the eyedropper tool. The legend updates to have a transparent gold fill. It now matches the layer that it represents on the map.

One of the reasons you’ve converted your map into an AI file is so you can apply some graphic effects. You’ll clip the map to the shape of the company’s logo.

This will make it a more eye-catching graphic for the website. You’ll start by adding a layer to store the new clipping path shape. A new layer appears in the Layers panel. A new Illustrator document opens. It contains only one shape: a circle with an arc cut out of it. The logo shape appears on the map. Although the characters in ligatures appear to be joined, they are fully editable and do not cause the spell checker to flag a word erroneously.

Contextual alternates are alternate characters included in some script typefaces to provide better joining behavior. Click the Standard Ligatures button to enable or disable ligatures for standard letter pairs such as fi, fl, ff, ffi, and ffl. Click the Discretionary Ligatures button to enable or disable optional ligatures if available in the current font.

Click the Contextual Alternates button to enable or disable contextual alternates if available in the current font. A stylistic set is a group of glyph alternates that can be applied to a selected block of text.

The name of the stylistic set provided by the Font Developer is shown in various places in Illustrator. For some fonts, Illustrator displays the stylistic set names as Set 1, Set 2, and so on. You can apply multiple stylistic sets to a range of text. Click the icon at the bottom of the panel B. Choose the desired stylistic set from the panel menu. Click and choose the desired stylistic sets from the list.

Many OpenType fonts include stylized characters that let you add decorative elements to type. Swashes are characters with exaggerated flourishes. Titling alternates are characters usually all in capitals designed for use in large-size settings, such as titles. Stylistic alternates are stylized characters that create a purely esthetic effect.

Click the Stylistic Alternates button to enable or disable stylistic alternates if available in the current font. Click the Titling Alternates button to enable or disable titling alternates if available in the current font.

Position the insertion point where you want to insert a white space character using the Type tool. The space is equal to the size of the type. The space is half the width of an em space. For example, in point type, an en space is 6 points wide. For example, in point type, a hair space is 0.

For example, in point type, a thin space is 1. You can then select and delete the break character. Nonprinting characters include hard returns line breaks , soft returns line breaks , tabs, spaces, nonbreaking spaces, double-byte characters including spaces , discretionary hyphens, and the end-of-text character.

A check mark indicates that nonprinting characters are visible. Legal Notices Online Privacy Policy. Adobe Illustrator Features What’s New. Buy now. User Guide Cancel. About character sets and alternate glyphs. There are three ways to insert alternate glyphs:. The Selection in-context menu lets you view and insert glyphs available for a selected character. The Glyphs panel lets you view and insert glyphs from any typeface.

The OpenType panel lets you set up rules for using glyphs. For example, you can specify that you want to use ligatures, titling characters, and fractions in a given text block. Using the OpenType panel is easier than inserting glyphs one at a time and ensures a more consistent result.

However, the panel works only with OpenType fonts. Replace a character with on-canvas alternate glyphs. Introduced in Illustrator CC release. Glyphs panel overview. Insert or replace a character using the Glyphs panel. To insert a character, click with a type tool to place the insertion point where you want to enter the character, and then double-click the character you want to insert in the Glyphs panel. Double-click a glyph in the Glyphs panel, if one is available.

Additional replacement options are available for Asian glyphs. OpenType panel overview. Additional features may be available for Asian OpenType fonts. Highlight alternate glyphs in the text. Substituted glyphs in the text are highlighted. Use ligatures and contextual alternates.

Select the characters or type objects to which you want to apply the setting. Make sure that an OpenType font is selected. In the OpenType panel, do any of the following:. Use stylistic sets. Select the text box or the text range to which you want to apply a stylistic set.

Do one of the following:. Now, do one of the following: Click the Stylistic Sets icon at the bottom of the panel and choose the desired set.

 

[2 Easy Steps to Remove Drop Shadow in Adobe Illustrator

 

In Illustrator, you can create different types of graphs and customize them to suit your needs. Click and hold the Graph tool in the Tools panel to see all different types of graphs you can create. The Graph tool you use initially determines the type of graph Illustrator generates. For example, to create a column graph, select the Column Graph tool. However, you can easily change the type of graph later. For details, see Change graph type. Drag diagonally from the corner where you want the graph to begin to the opposite corner.

Hold down Shift to constrain the graph to a square. Click where you want to create the graph. Enter a width and height for the graph, and click OK. Enter data for the graph in the Graph Data window. For more details, see Enter graph data. Click the Apply button , or press the Enter key on the numeric keypad to create the graph. The Graph Data window stays open until you close it.

This allows you to easily switch between editing graph data and working on the artboard. You use the Graph Data window to enter the data for your graph. The Graph Data window appears automatically when you use a graph tool and stays open until you close it. Select a cell in the worksheet, and enter the data in the text box at the top of the window.

Press Tab to input the data and select the next cell in the same row; press Enter or Return to input the data and select the next cell in the same column; use the arrow keys to move from cell to cell; or simply click another cell to select it. Create a text file using a word-processing application.

While entering your data, separate the data for each cell by a tab and the data for each row by a paragraph return. The data should only contain decimal points or decimal commas; otherwise, the data is not plotted. Click the Apply button or press the Enter key on the numeric keypad to regenerate the graph. Data set labels B. Blank cell C. Category labels. Enter labels for the different sets of data in the top row of cells.

These labels appear in the legend. For column, stacked column, bar, stacked bar, line, area, and radar graphs, enter labels in the worksheet as follows:. These labels will appear in the legend. Enter labels for the categories in the left column of cells. Categories are often units of time, such as days, months, or years.

These labels appear along either the horizontal axis or vertical axis of the graph, with the exception of radar graphs, for which each label results in a separate axis. To create labels consisting only of numbers, enclose the numbers in straight quotation marks. For example, enter “” to use the year as a label. To create line breaks in labels, use the vertical bar key to separate lines. For example, type Total Sales to produce the following graph label:.

The height of the column corresponds to the amount being compared. You can combine positive and negative values; negative values appear as columns extending below the horizontal axis. For stacked column graphs, numbers must be all positive or all negative.

The length of the bar corresponds to the amount being compared. You can combine positive and negative values. Negative values appear as columns extending below the horizontal axis. For stacked bar graphs, numbers must be all positive or all negative.

Each column of data corresponds to one line in the line graph. You can combine positive and negative values in a line graph. Values must be all positive or all negative. Each row of data entered corresponds to a filled area on the area graph. Therefore, even if area graphs and line graphs contain the same data, they appear substantially different. Note : Disable the option Connect Data Points to remove connecting lines. You can organize data sets for pie graphs similarly to other graphs.

However, each row of data in the worksheet generates a separate graph. To view more or fewer digits in a column, adjust the column width. This change has no effect on the width of columns in the graph. Click the Cell Style button and enter a value between 0 and 20 in the Column Width text box. Position the pointer at the edge of the column you want to adjust. The pointer changes to a double arrow.

Then drag the handle to the desired position. Click the Cell Style button and enter a value between 0 and 10 in the Number of Decimals text box. With the default value of 4 decimals, the number entered in a cell appears in the Graph Data window box as With the default value of 2 decimals, the number entered in a cell appears in the Graph Data window box as You can combine different graph types in one graph.

For example, you may want one set of data to appear as a column graph and other sets of data to appear as a line graph. You can combine any type of graph with any other, with the exception of scatter graphs. Scatter graphs cannot be combined with any other graph type. Select the Group Selection tool. You can format graphs in a variety of ways. Moreover, you can change the colors of shading, typeface, and typestyle; move, reflect, shear, rotate, or scale any or all parts of the graph; and customize column and marker designs.

You can apply transparency, gradients, blends, brush strokes, graphic styles, and other effects to graphs.

Always apply such customizations in the end, because regenerating the graph removes them. A graph is a grouped object that is related to its data. Ungrouping the graph may disable you to make the desired changes. To edit a graph, select the parts you want to edit without ungrouping the graph, using either the Direct Selection tool or the Group Selection tool.

Elements of a graph are related to each other. The entire graph with its legends is one group. All the sets of data are a subgroup of the graph; in turn, each set of data with its legend box is a subgroup of all the sets of data. Each value is a subgroup of its set of data, and so on. Avoid ungrouping or regrouping objects that are within the graph.

You can also select a group by clicking one of its parts, clicking again to select columns grouped with it, and clicking a third time to select the legend. Each click adds another layer of grouped objects to the selection, beginning with the next group up in the hierarchy. You can click as many times as the number of groups to add to a selection. Select the graph you’ve created using the Selection tool. For details, see Scale, shear, and distort objects. Select a graph with the Selection tool.

In the Graph Type dialog box, click the button that corresponds to the desired graph type, and click OK. Once graph objects are painted with gradients, changing graph types can cause unexpected results. To prevent undesirable results, either do not apply gradients until the graph is finished, or use the Direct Selection tool to select gradient-painted objects and paint those objects with a process color; then reapply the original gradients.

With the exception of pie graphs, all graphs have a value axis which displays the unit of measurement for the graph. You can choose to display the value axis on one side or both sides of the graph. Bar, stacked bar, column, stacked column, line, and area graphs also have a category axis which defines the categories of data in the graph.

You can control how many tick marks appear on each axis, change the length of tick marks, and add a prefix and suffix to numbers on the axis.

Select the graph with the Selection tool. Determines the placement of tick marks on value axes, left axes, right axes, bottom axes, or top axes. Select Override Calculated Values to manually calculate the placement of tick marks. Either accept the values set when you created the graph or enter a minimum value, a maximum value, and the number of divisions between labels.

Determines the length of tick marks and number of tick marks per division. For category axes, select Draw Tick Marks Between Labels to draw tick marks on either side of the labels or columns, or deselect the option to center tick marks over the labels or columns. Specifies a prefix and suffix for numbers on value axes, left axes, right axes, bottom axes, or top axes.

For example, you can add a dollar sign or percent sign to axis numbers.

 
 

Adobe illustrator cc remove drop shadow free.Adobe Illustrator

 
 
Step 1: Select the object or text with a drop shadow. Go to Top Menu bar and Click Effect >> Stylize >> Drop Shadow. Select your desired setting and press OK. You can also read the complete detail.

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