How to Change the Background of a Photo in Photoshop

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

For macOS, press and hold the Fn key along with the function key F1-F12 to override default macOS functions such as screen brightness, volume, etc.

For more information on the behavior of function keys on your Mac, refer to these Apple documentations:. Holding down a key temporarily activates a tool. Letting go of the key returns to the previous tool. Toggle forward between Standard screen mode, Full screen mode with menu bar, and Full screen mode. Toggle backward between Standard screen mode, Full screen mode with menu bar, and Full screen mode.

If Crop tool is active, temporarily switches to Straighten tool. Display the bounding box for transforming text when editing text, or activate Move tool if cursor is inside the bounding box. Then restart Photoshop. Buy Adobe Photoshop or start a Free Trial.

Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Make it. Use keyboard shortcuts to become more productive while using Adobe Photoshop. Quick tips to remember: You can customize the keyboard shortcuts in Photoshop on the desktop.

See Customize keyboard shortcuts. You can view, edit, and summarize keyboard shortcuts in the Keyboard Shortcuts dialog box. See this Apple documentation article to understand how to use the function keys on these models.

You can take a look at the keyboard shortcuts for Photoshop on the web beta: Keyboard shortcuts Photoshop on the web. Download Photoshop keyboard shortcuts PDF. Get file Photoshop desktop keyboard shortcuts for handy reference. Popular shortcuts. Invoke the search experience. Use function keys.

For more information on the behavior of function keys on your Mac, refer to these Apple documentations: macOS Catalina: Use keyboard function keys Change the behavior of function keys on your Mac. Select tools. In rows with multiple tools, repeatedly press the same shortcut to toggle through the group. View images. Use Puppet Warp. Use Select and Mask. Use the Filter Gallery. Use the Liquify filter. Use Vanishing Point. Use the Camera Raw dialog box. Use the Black-and-White dialog box.

Use Curves. Select and move objects. Transform selections, selection borders, and paths. Edit paths. Use for painting. Use for blending modes.

Select and edit text. Format type. Slice and optimize. Use panels. Use the Actions panel. Use adjustment layers. Use the Animation panel in Frames mode. Use the Brush panel.

Use the Channels panel. Use the Clone Source panel. Use the Color panel. Use the History panel. Use the Info panel. Use the Layers panel. Use the Layer Comps panel. Use the Paths panel. Use the Swatches panel. Use Extract and Pattern Maker optional plug-ins. Sign in to your account. Sign in. Quick links View all your plans Manage your plans.

Cycle through tools with the same shortcut key. Lasso tool Polygonal Lasso tool Magnetic Lasso tool. Clone Stamp tool Pattern Stamp tool. History Brush tool Art History Brush tool. Gradient tool Paint Bucket tool. Dodge tool Burn tool Sponge tool.

Pen tool Freeform Pen tool Curvature Pen tool. Path Selection tool Direct Selection tool. Close a file in Photoshop and open Bridge. Toggle between Standard mode and Quick Mask mode. Switch to Hand tool when not in text-edit mode. Simultaneously pan multiple documents with Hand tool. Move Zoom marquee while dragging with the Zoom tool. Apply zoom percentage, and keep zoom percentage box active. Zoom in on specified area of an image. Control-drag over preview in Navigator panel.

Command-drag over preview in Navigator panel. Hold down H and then click in the image and hold down the mouse button. Spacebar-drag, or drag view area box in Navigator panel. Move view to upper-left corner or lower-right corner.

Add a layer mask icon to automatically hide the content of the layer or active selection. Reverse direction for Bloat, Pucker, and Push Left tools. Continually sample the distortion. Alt-drag in preview with Reconstruct tool, Displace, Amplitwist, or Affine mode selected. Option-drag in preview with Reconstruct tool, Displace, Amplitwist, or Affine mode selected.

Cycle through controls on right from top. Cycle through controls on right from bottom. Increase brush size Brush, Stamp tools. Decrease brush size Brush, Stamp tools. Increase brush hardness Brush, Stamp tools. Decrease brush hardness Brush, Stamp tools. Create a floating selection from the current selection. Fill a selection with image under the pointer. Create a duplicate of the selection as a floating selection. Select a plane under another selected plane.

Delete last node while creating plane.

 
 

Adobe photoshop cc change background free

 

You can then select a color by clicking in the image. The selected color is displayed in the Adobe Color Picker. You can move the Eyedropper tool anywhere on your desktop by clicking in the image and then holding down the mouse button. You can select a color by releasing the mouse button.

Saturation and brightness are specified as percentages. In the color field, the hue saturation increases from left to right and the brightness increases from the bottom to top.

The color you click appears in the color slider with 0 none of that color at the bottom and maximum amount of that color at the top. The color field displays the range of the other two components, one on the horizontal axis and one on the vertical axis. When choosing a color based on the Lab color model, the L value specifies the luminance of a color. The A value specifies how red or green a color is. The B value specifies how blue or yellow a color is.

You can choose a color by specifying each component value as a percentage of cyan, magenta, yellow, and black.

You can choose a color by specifying a hexadecimal value that defines the R, G, and B components in a color. The three pairs of numbers are expressed in values from 00 minimum luminance to ff maximum luminance.

For example, is black, ffffff is white, and ff is red. The heads-up-display HUD color picker lets you quickly choose colors while painting in the document window, where image colors provide helpful context. After clicking in the document window, you can release the pressed keys. Temporarily press the spacebar to maintain the selected shade while you select another hue, or vice versa.

By working only with these colors, you can be sure that art you prepare for the web will not dither on a system set to display colors. Choose Web Color Sliders from the Color panel menu. Click the alert cube to select the closest web color. When you choose a non-printable color in either the Adobe Color Picker or the Color panel, a warning alert triangle appears. A swatch below the triangle displays the closest CMYK equivalent.

To ensure that the final printed output is the color you want, consult your printer or service bureau and choose your color based on a printed color swatch. Manufacturers recommend that you get a new swatch book each year to compensate for fading inks and other damage. To print true spot color plates, create spot color channels.

The Custom Colors dialog box displays the color closest to the color currently selected in the Adobe Color Picker. Commonly used for newspaper applications. DIC Color Guide. Commonly used for printing projects in Japan. Consists of CMYK colors. Focoltone colors help avoid prepress trapping and registration problems by showing the overprints that make up the colors. A swatch book with specifications for process and spot colors, overprint charts, and a chip book for marking up layouts are available from Focoltone.

For more information, contact Focoltone International, Ltd. HKS swatches. Used for printing projects in Europe. Each color has a specified CMYK equivalent. Color samplers for each scale are available. HKS Process books and swatches have been added to the color system menu. Colors used for spot-color reproduction. PANTONE color guides and chip books are printed on coated, uncoated, and matte paper stocks to ensure accurate visualization of the printed result and better on-press control.

The CMYK screen tint percentages are printed under each color. For more information, contact Pantone, Inc. Consists of more than 1, colors based on the most common printing inks used in Japan. For more information, contact Toyo Ink Manufacturing Co.

Provides predictable CMYK color matching with more than 2, achievable, computer-generated colors. Trumatch colors cover the visible spectrum of the CMYK gamut in even steps. The Trumatch Color displays up to 40 tints and shades of each hue, each originally created in four-color process and each reproducible in four colors on electronic imagesetters.

In addition, four-color grays using different hues are included. For more information, contact Trumatch Inc. Buy Adobe Photoshop or start a Free Trial. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Make it. About foreground and background colors.

Video Tip Make a shortcut for the Color Picker. Scott Kelby. Choose colors in the toolbox. To change the foreground color, click the upper color selection box in the toolbox, and then choose a color in the Adobe Color Picker.

To change the background color, click the lower color selection box in the toolbox, and then choose a color in the Adobe Color Picker. To reverse the foreground and background colors, click the Switch Colors icon in the toolbox.

To restore the default foreground and background colors, click the Default Colors icon in the toolbox. Choose colors with the Eyedropper tool.

Select the Eyedropper tool. In the options bar, change the sample size of the eyedropper by choosing an option from the Sample Size menu:. Reads the precise value of the pixel you click.

Reads the average value of the specified number of pixels within the area you click. Choose one of the following from the Sample menu:. All Layers. Samples color from all layers in the document. Samples color from the currently active layer. Do one of the following:. Adobe Color Picker overview. Display the Color Picker. In the toolbox, click the foreground or background color selection box. Choose a color with the Adobe Color Picker. Choose a color using the HSB model.

In the Adobe Color Picker, select the H option and then enter a numeric value in the H text box or select a hue in the color slider. Adjust the saturation and brightness by clicking in the color field, moving the circular maker, or entering numeric values in the S and B text boxes.

Choose a color using the RGB model. The feature introduces a redone method of resampling from the image. The differences between how the tool performs here versus in CS4 are not readily apparent since the changes in pixelation and accuracy depend too greatly on the situation.

Tests with the spot healing brush revealed no differences to its CS4 predecessor, but that doesn’t mean its not working. In general, it felt like there was less of a problem with incorrect sampling, but this wasn’t really quantifiable, as it still occurred in some cases. One of the most difficult Photoshop tricks has just gotten strikingly easier thanks to what Adobe calls ” intelligent selection.

It worked extremely well with hair, and slightly less so with the more discernible echidna spikes. It sounds simple, but the introduction of the Smart Radius and Decontaminate colors functions in intelligent selection provides a stunning breadth of control during image masking. Following the tutorials for this is essential, because learning to do it right can impressively enhance your image control while cutting down on your workflow from CS4.

Puppet Warp sounds like it could be a filter to Muppetize people in your photo. It’s actually a localized warping tool that gives you the ability to accurately recompose selected aspects of an image, such as changing a straight leg to bent.

It can’t add content where it hasn’t existed, so it works best when used on a subject shot in profile, but the tool itself worked well. Once you’ve created a selection, choose Puppet Warp from the Edit menu and apply pins where you want to create pivot points in the image. Playing around with them, you can stretch a selected area between two pins. Unlike the complicated intelligent selection, Puppet Warp took seconds to learn. Of all the new tools, this is probably the most fun to use.

The tool may not appear to have much practical use, but it can easily lend itself to basic but creative 3D implementation without having to upgrade to Photoshop Extended.

Photoshop is not the best digital painting program around, but the new Mixer Brush and Bristle Tips features give it a much stronger easel to stand on. Briefly, the Mixer Brush lets you add multiple colors to a single brush tip and then blend them to whatever colors already exist on your canvas. Users can define how wet the canvas is, how fast paint gets re-added to the tip, the mix rate between brush and canvas colors, and whether the brush is refilled, cleaned, or both after each paint stroke.

Bristle Tips provides similarly fine-tuned control over the brush tip, including shape, length, stiffness, thickness, angle, and spacing. Although some photographers might swear otherwise, it’s not necessary to use a tablet for photo editing.

This was not the case with the new painting tools, where a standard mouse did not provide the kind of detailed control required to manipulate the tools properly. Still, by building out the painting options, Adobe’s clearly trying to keep Photoshop competitive across all major disciplines.

If you don’t need them, don’t get the more expensive version. If you do, though, there are several notable new features. Adobe Repousse streamlines the process for converting 2D artwork into 3D, then provides a bucketload of options for altering the design. There’s nothing revolutionary here except a reasonable, solid effort at reducing workflow. It’s effective, and it’s hard to argue with less than six steps to creating a 3D letterform.

Photoshop Extended users will get an equally quick workflow for adding realistic textures to 3D models. The program comes with a stack of textures, which users can edit and save as their own, as well as create custom textures from scratch and download new ones off the Web. There’s also new options for introducing image-based lights for dynamic light sourcing on complex models, shadow capturing, and improved ray tracing.

Much like the painting tools, the 3D options are not a full-on replacement for a 3D renderer, but they will do quite admirably for users looking to regularly add 3D pop to their art without having to shell out for a modeling suite. Other changes include tweaks to everything from the Adobe Camera Raw plug-in to tool menus. Raw processing has earned itself some better tools for reducing noise, and adding vignettes and grain to give stills a more filmlike quality.

The Raw tool in general also feels less jittery than its CS4 predecessor, and it now will automatically downsample your or bit raw image down to 8-bit JPEG when you save it.

The relatively complicated process of straightening images has been replaced by a Straighten button in the Ruler tool. Throw in the Alt or Option key and you’ll straighten without cropping. Note that to fully undo the straighten, you have to go back through your Actions panel. When cropping, you can add an overlay grid after you set your crop boundaries. You can now prevent the Sharpen tool from creating artifacts by using the Protect Detail option, copy colors as a hex number, and gain a modicum of collaborative tools via the deeper hooks to Adobe’s online CS Review.

You can now change the opacity of more than one layer at a time, create layer masks from transparent layers, and use lens correction profiles when stitching using Auto-Align in Layers. Layer settings will also remember your previous settings. Mac users will see some specific improvements for their computers. Trackpad gestures can be disabled, too. There’s no doubt that the major features changes create a strong framework for CS5, but its the addition of these detail-oriented fixes that sell the picture of CS5 as an upgrade worth getting.

Photoshop support is available on several levels. There are the free Adobe-sponsored forums, FAQs, and knowledge base articles.

Given Photoshop’s popularity, these should be sufficient for individual users. Technical phone support is available Monday through Friday, 5 a. PST, and customer service phone support is available seven days a week during the same hours. Though this may seem stingy, Photoshop’s complexity is best-suited for users who don’t mind learning stuff on their own or from a forum. The Help menu also comes with a direct link to Adobe’s Photoshop Support Center, which provides an Adobe AIR-based interface for accessing Adobe’s collection of how-tos and community advice.

Performance For users who didn’t make the jump to CS4, the new version of Photoshop will feel like it’s got jet boots on. There are still noticeable lags during resource-intensive tasks, but without a doubt it feels like a better-performing version. Of course, Photoshop is compatible with Windows 7 as well. The minimum requirements for basic Photoshop CS5 and Photoshop CS5 Extended are fairly rigorous, so if you’ve got an older computer it’s recommended that you make sure it’s compatible before purchasing.

Conclusion Because of its position as the industry standard for professional image-editing and the use of its name as a colloquialism for all kinds of image manipulation, many users mistakenly believe that Photoshop is a must-have program.

It’s needed for professional work, but contains far too many tools, far too much power, and is far too complicated for casual use. Not convinced? There are effective alternatives to Photoshop, including Adobe’s own Photoshop Elements Windows Mac , as well as a multitude of freeware.

That said, some photographers might not want to wait for the upcoming Lightroom 3. For them and others considering upgrading or buying new, there’s simply no reason not to get it. The comprehensive range of improvements to Photoshop CS5 Extended makes this version compelling and nearly impossible to ignore.

Adobe Photoshop CS6 Extended software is the ultimate solution for advanced digital imaging, delivering all the editing and compositing capabilities of Photoshop CS6 plus breakthrough tools that let you create and edit 3D and motion-based content. Keep pushing creative boundaries with world-class 2D and 3D design. Use powerful new selection, painting, and warping capabilities to create standout images.

Get just the right look for each client’s site. Easily select intricate image elements for placing in layout. Create 3D artwork for logos and buttons. Create and enhance 3D and motion-based content and prepare still images and text for all your projects. Work fast with cross-platform bit support, and create stunning HDR images for video backdrops. Design cutting-edge looks for interactive web content and experiences.

Create 3D artwork, warped graphics, and realistic painting effects for all your projects. Designed to make shopping easier. IObit Uninstaller. Internet Download Manager. Advanced SystemCare Free. WinRAR bit. VLC Media Player. MacX YouTube Downloader. Microsoft Office YTD Video Downloader.

Adobe Photoshop CC. VirtualDJ Avast Free Security. WhatsApp Messenger.

 

Adobe photoshop cc change background free.Adobe Photoshop Extended

 
Step 5: Use the tools on the left side to refine the selection. image The quick selection tool allows you to easily add or remove from. If you have the version of Photoshop CC, you use the quick selection tool called the “Select Subject” button instead of the “Select and Mask” button. This. Learn how to remove backgrounds from images and create a new background using selection and masking tools in Adobe Photoshop.